Cha Cha Cha. Music for ballroom dancing.




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CHA CHA CHA

The main distinguishing features of this type of dance are rhythm and atmosphere. This is a kind of lesson in the art of flirting and seduction. The dance is built on the contrast: the partners are coming together and parting. Their dynamic, temperamental movements are wonderfully combined with the major music.

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Cha-cha-cha ballroom dance music

The music for the cha-cha-cha is very rhythmic. You can hear the sound of instruments such as maracas, bongos, and harpsichords. The style of the dance has changed over the years. In the early period, the staccato was extremely important, which required rapid bending and unbending of the knees. Over time, the cha-cha-cha became a little softer. Footwork and the right sense of rhythm are important in the dance. The initial steps are so simple that anyone who wants to learn one of the most popular Latin American dances should do it.

The cha-cha-cha dance emerged quite recently, namely in the 1960s, from the popular Latin American dances rumba and mambo. It is based on the chasse step. It is danced at a speed of 32-33 beats per minute. Like most South American dances, the cha-cha-cha is full of emotion, expression, style, and beauty. Although the dance has a short history, it can be seen in most dance competitions in the world. Traditional Cuban music, enriched with swing and jazz influences, contributed to the emergence of a new kind of dance.

Pierre Lavel, a teacher of English dance, is considered to be the creator of the cha-cha-cha. It was first danced by Gerd Adrich in Germany in 1957. A few years later, the cha-cha-cha was already well known in the United States and Europe.

It is good to start learning the dance with theory. In the basic position, in which the partners look at each other a few centimeters apart, the partner puts his right arm around his partner. The dancers' position should be natural, but the head should be held high.

In the open position, the partners look at each other. The man holds the woman's right hand with his left hand. The dancer's other hand is turned to the side.

The closed promenade is a pose in which the man embraces the woman with his right arm and his right thigh touches his partner's left thigh. The dancer stands to the left of his partner, and they both start walking at the same time.

In the open promenade position, the man stands to the left of the woman and takes her right hand with his left hand.

The closed reverse promenade position implies that the man embraces the woman with his right arm and his left thigh is in contact with the woman's left thigh.

In the open reverse promenade position, the man is on the right side of the woman and takes her right hand with his left hand. They look in the same direction, with the other arm outstretched to the side.

The cha-cha-cha dance music is extremely rhythmic and inviting on the dance floor. The characteristic flirtatious movements of the dancers are not as naked as in other Latin dances. The cha-cha-cha is danced on a small section of the dance floor, and some are practically on the spot. The man leads the woman with his body, his arm, or not at all.

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